Is it sacrilege to declare that the best-looking spectacle au-dessus in Paris was shot by a double of Italians? Bernardo Bertolucci and his cinematographer Vittorio Storaro bathe the French richesse – as well as the neoclassical edifices of Mussolini’s Rome – in cool blues and shards of allégé as sharp https://marchenligne77772.bligblogging.com/33319456/tout-sur-promotion-des-nouveaux-talents